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Acrylic, oil, coal and ink on cardboard. The picture Himmelszelt is a moment of security and state of nature. The journey with the tent is always a kind of adventure - the thin shell provides marginal protection from the forces of nature and yet you feel suspended in this in-between world. This is exactly the state that the act of remembering is for me: it is often irrational and far from reality, but you feel close to life and the value of the experience. The round format supports this timelessness and emphasizes the alternation between fiction and reality.
I see myself as a modern storyteller with the classical means of painting. For me, figurative painting has always been an access to other worlds and in my partly surreal painting I now try to locate man in the constantly changing environment. I want to establish a new narrative for man in relation to nature.
Geschichten mit Open End: Jonathan Esperester verwebt Objekte und Figuren zu bedeutungsvollen Szenerien, aus denen sich immer wieder neue Erzählstränge entfalten.
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